![]() 5-15 supporting friends (round but not terribly in-depth).1-5 best friends (read, main/prominent round characters).When working on your story, the Dunbar number can be used as a good guide for ratios of round : flat Sometimes it can be used well to get a point across, but it hasn’t been a well-received mode of narrative since the genesis of the novel in the 1700s. A story comprised of only flat characters, however, is just boring. No one can get a cohesive thought across and everyone ends up exhausted. Writing only round characters is the equivalent of pulling your reader into a crowded party where everyone is talking loudly and vying for the reader’s attention. What Place do Flat and Round Characters have in a Story? The change doesn’t have to be radical to make a character round, but once you stray from a character’s whole identity being tied to a single trait or concept, they are no longer flat. ![]() There is nuance to his motivations and personality and, above all, he changes throughout the series. To carry on with the Harry Potter example, Malfoy is a round character because he is built around more than a single idea or feature.
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